❶ 冰河世纪电影摘要怎么写
二十世纪福克斯公司(Twentieth Century Fox, USA)2002年出品
中文名称：冰河世纪
英文名称：Ice Age
发行时间：2002年
电影导演：克里斯.伟基 Chris Wedge
地区：美国
语言：英语
导演：克里斯.伟基 Chris Wedge
配音：瑞.罗门那 Ray Romano
约翰.里奎匝莫 John Leguizamo
简.科瑞考斯基 Jane Krakowski
出品：20世纪福克斯影业公司
内容简介
本片描述在冰河纪这个充满惊喜与危险的蛮荒时代，因为一名突如其来的人类弃婴，让三只性格迥异的动物不得不凑在一起，尖酸刻薄的长毛象，粗野无礼的巨型树獭，以及诡计多端的剑虎，这三只史前动物不但要充当小宝宝的保姆，还要历经冰河与冰山各种千惊万险护送他回家。
【冰河世纪】英文片名为Ice Age，在其首支短短数秒的预告画面中，呈现一只长相贱到不行的怪松鼠为了在冰原上藏匿一颗松果，竟酿成大雪崩惨剧，在面临冰柱炮轰及冰阵夹杀等惊险场面下，怪松鼠居然不忘带着它的松果逃命....
剧情简介
两万年以前，地球上到处都覆盖着冰川，无论何处的动物都在四处逃窜，躲避着新的冰河世纪的冲击。 在这一危急时刻，我们遇见了任何时代都不曾见过最怪异的群体：一个说话很快、浑身没有光泽的树懒锡德(Sid，约翰-莱奎扎莫配音，John Leguizamo)，一头喜怒无常的长毛象曼尼(Manny，雷-罗马诺配音，Ray Romano)，一只凶暴的剑齿虎迪亚戈(Diego，丹尼斯-利里配音，Denis Leary)和对橡树果有着特别嗜好的著名犬齿松鼠斯科莱特(Scrat)。 这四只格格不入的动物出乎意料地，而且是非常不情愿地走到了一起，只因为他们希望将一名人类婴儿交还到他父亲的身边。他们勇敢地面对沸腾的熔岩坑、暗藏的冰穴、严寒的天气，以及一个秘密，甚至是邪恶的阴谋。这些“亚零度”的怪物们成了这个世界上最早的英雄们!
《冰河世纪》是上届奥斯卡最佳动画短片《巴尼》的创作团队推出的一部电脑动画长片。
❷ 英语作文写一篇电影的概要,要求带翻译100字
夏洛特烦恼
昔日校花秋雅（王智 饰）的婚礼正在隆重举行，学生时代暗恋秋雅的夏洛（沈腾 饰）看着周围事业成功的老同学，心中泛起酸味，借着七分醉意大闹婚礼现场，甚至惹得妻子马冬梅（马丽 饰）现场发飙，而他发泄过后却在马桶上睡着了。梦里他重回校园，追求到他心爱的女孩、让失望的母亲重展笑颜、甚至成为无所不能的流行乐坛巨星…… 醉生梦死中，他发现身边人都在利用自己，只有马冬梅是最值得珍惜的。
Old school beauty autumn ya (Wang Zhi decoration) the wedding is held, the student love autumn Ya Charlotte (Shen Teng ornaments) looking around the career success of old classmates, heart start to be suffused with sour, by seven tipsy havoc in the wedding scene, and even provoked wife Ma Dongmei (Mary). Shebeginstofall spot freak, and he vent after but on the toilet, asleep. Dream him to return to the campus, the pursuit to his beloved girl, let the disappointed mother re show smile, even as omnipotent the pop star... Here, he found the people around are making use of their own, only Ma Dongmei is the most cherished
❸ 用英文写两篇外国文学名著或电影的摘要（500词）左右
The Old Man and the Sea
The Old Man and the Sea recounts an epic battle between an old, experienced fisherman and a giant marlin said to be the largest catch of his life. It opens by explaining that the fisherman, who is named Santiago, has gone 84 days without catching any fish at all (although a comment made at some point in the book reveals that he had previously gone 87 days without catching one). He is apparently so unlucky that his young apprentice, Manolin, has been forbidden by his parents to sail with the old man and been ordered to fish with more successful fishermen. Still dedicated to the old man, however, the boy visits Santiago's shack each night, hauling back his fishing gear, feeding him and discussing American baseball — most notably Santiago's idol, Joe DiMaggio. Santiago tells Manolin that on the next day, he will venture far out into the Gulf to fish, confident that his unlucky streak is near its end.
Sons and Lovers
a woman of character and refinement goes into the lower class, and has no satisfaction in her own life. She has had a passion for her husband, so her children are born of passion, and have heaps of vitality. But as her sons grow up she selects them as lovers — first the eldest, then the second. These sons are urged into life by their reciprocal love of their mother — urged on and on. But when they come to manhood, they can't love, because their mother is the strongest power in their lives, and holds them. It's rather like Goethe and his mother and Frau von Stein and Christiana — As soon as the young men come into contact with women, there's a split. William gives his sex to a fribble, and his mother holds his soul. But the split kills him, because he doesn't know where he is. The next son gets a woman who fights for his soul — fights his mother. The son loves his mother — all the sons hate and are jealous of the father. The battle goes on between the mother and the girl, with the son as object. The mother graally proves stronger, because of the ties of blood. The son decides to leave his soul in his mother's hands, and, like his elder brother go for passion. He gets passion. Then the split begins to tell again. But, almost unconsciously, the mother realises what is the matter, and begins to die. The son casts off his mistress, attends to his mother dying. He is left in the end naked of everything, with the drift towards death
❹ 英语电影摘要
Jane Eyre： Written by C Bronte
Introction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage. She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
However, there is great kindness and warmth in this epic love story, which is set against the magnificent backdrop of the Yorkshire moors.
简爱从令人讨厌的学校毕业,在罗契斯特先生的庄园找了份家教的工作,负责教育罗契斯特先生的女儿,在此过程中两人擦出爱的火花,但在两人结婚当天,意外得知罗契斯特先生的前一位夫人并没有死,而是疯了并且正关在庄园里,于是简爱离开庄园,并碰到自己的表哥表妹,正当简爱犹豫是否与表哥一起离开英国做传教士的妻子时,罗契斯特的庄园由于疯妻纵火毁于一旦,他本人也受伤致盲,心灵有所感应的简爱赶回庄园,两人从此幸福的生活在一起.
Summary for Finding Nemo
A clown fish named Marlin living in the Great Barrier Reef loses his son, Nemo, after he ventures into the open sea, despite his father's constant warnings about many of the ocean's dangers. Nemo is abcted by a boat and netted up and sent to a dentist's office in Sydney. So, while Marlin ventures off to try to retrieve Nemo, Marlin meets a fish named Dory, a blue tang suffering from short-term memory loss. The companions travel a great distance, encountering various dangerous sea creatures such as sharks, anglerfish and jellyfish, in order to rescue Nemo from the dentist's office, which is situated by Sydney Harbor. While the two are doing this, Nemo and the other sea animals in the dentist's fish tank plot a way to return to Sydney Harbor to live their lives free again. Written by Anonymous
When his son, Nemo is taken from him by a diver, Marlin the clown fish sets off on a journey to rescue him. Together with Dory, a blue tang fish with short term memory loss, they set off through the oceans, whilst joining a club with sharks, dodging jellyfish and hooking a ride with turtles. Whilst this is happening, Nemo and his new tank friends hatch a plan to escape from their new home. Written by FilmFanUk
Marlin (a clown fish) is a widower who only has his son Nemo left of his family after a predator attack. Years later, on Nemo's first day of school, he's captured by a scuba diver and taken to live in a dentist office's fish tank. Marlin and his new absent-minded friend Dory set off across the ocean to find Nemo, while Nemo and his tank mates scheme on how to get out of the tank before he becomes the dentist's niece's new pet. Written by TonyB
A tale which follows the comedic and eventful journeys of two fish, the fretful Marlin and his young son Nemo, who are separated from each other in the Great Barrier Reef when Nemo is unexpectedly taken from his home and thrust into a fish tank in a dentist's office overlooking Sydney Harbor. Buoyed by the companionship of a friendly but forgetful fish named Dory, the overly cautious Marlin embarks on a dangerous trek and finds himself the unlikely hero of an epic journey to rescue his son. Meanwhile, the young Nemo hatches a few daring plans of his own to return home safely. Written by Sujit R. Varma
A father-son underwater adventure about a fish and his son Nemo, a boy clown fish, who is stolen from his home in the Great Barrier Reef, Australia, and taken to a fish tank in a dentist's office in Sydney. His timid father and a blue tang fish named Dory with short-term memory loss must follow the East Australian current in order to get to Sydney and take Nemo home.
Robinson Crusoe, the narrator of the story, tells us that he was born in 1632 in the city of York, England. His father, a German immigrant, married a woman whose name was Robinson, and his real name was Robinson Kreutznaer, but e to the natural corruption of languages, the family now writes their name "Crusoe." He was the third son; his oldest brother was killed in a war, and the next son simply disappeared.
When Robinson Crusoe first had an urge to go to sea, his father lectured him upon the importance of staying home and being content with his "middle station" in life. His father maintained that the "middle station had the fewest disasters and was not exposed to so many vicissitudes as the higher or lower part of mankind." After his father expressly forbade him to go to sea, and, furthermore, promised to do good things for him if he stayed home, for another whole year, Robinson Crusoe stayed at home, but he constantly thought of adventures upon the high sea. He tried to enlist the aid of his mother, pointing out that he was now eighteen years old and if he did not like the sea, he could work diligently and make up for the time he might lose while at sea. She refused to help him, even though she did report his strong feelings to her husband.
When Robinson was nineteen, on the first of September, in 1651, he joined a friend on a ship bound for London, without consulting either his father or mother. Almost immediately, "the wind began to blow, and the sea to rise in a most frightful manner." Robinson Crusoe, who had never been to sea before, saw this as a sign that he was justly "overtaken by the judgement of Heaven" for his wicked leaving of his father's house without letting anyone know. He was so frightened that he made the promise: "If it would please God here to spare my life in this one voyage, if ever I got once my foot upon dry land again, I would go directly home to my father, and never set it into a ship again while I lived." The wind soon abated, and the next morning the sea was so calm and so beautiful that he entirely forgot the vows and promises that he had made in his distress, and joined the other sailors in a drinking bout.
As they neared a place called Yarmouth Roads, the winds ceased to blow and thus they were stilled for eight days, and when the winds did begin to blow, the ship immediately encountered a storm much more violent than the earlier one. Even the most experienced sailors were down on their knees praying. The storm continued with such fury that the seamen acknowledged that they had never known a worse one.
When the boat sprung a leak, Robinson was ordered below to help pump the water. It soon became apparent that they would not be able to save the ship and the captain fired several volleys of distress signals. A lighter ship in the vicinity made it up to their ship and was able to take the crew away from the sinking ship, which foundered soon after they left.
The crew finally got to shore, where Robinson Crusoe met his friend's father, who owned the ship. When the captain heard Robinson Crusoe's story, he felt strongly that it was the "hand of Providence" instructing Robinson Crusoe never to go to sea any more. He told the young man: "You ought to take this for a plain and visible token that you are not to be a seafaring man." He even wondered if he had done something wrong that such a person as Robinson Crusoe should "come onto his ship," and he warned Crusoe again that "you will meet with nothing but disasters and disappointments" if he did not go back to his father's house.
鲁滨孙出身于一个体面的商人家庭，渴望航海，一心想去海外见识一番。他瞒着父
亲出海，第一次航行就遇到大风浪，船只沉没，他好不容易才逃出性命。第二次出海到
非洲经商，赚了一笔钱。第三次又遭不幸，被摩尔人俘获，当了奴隶。后来他划了主人
的小船逃跑，途中被一艘葡萄牙货船救起。船到巴西后，他在那里买下一个庄园，做了
庄园主。他不甘心于这样的发财致富，又再次出海，到非洲贩卖奴隶。
船在途中遇到风暴触礁，船上水手、乘客全部遇难，唯有鲁滨孙幸存，只身飘流到
一个杳无人烟的孤岛上。他用沉船的桅杆做了木筏，一次又一次地把船上的食物、衣服、
枪支弹药、工具等运到岸上，并在小山边搭起帐篷定居下来。接着他用削尖的木桩在帐
篷周围围上栅栏，在帐篷后挖洞居住。他用简单的工具制作桌、椅等家具，猎野味为食，
饮溪里的水，度过了最初遇到的困难。
他开始在岛上种植大麦和稻子，自制木臼、木杵、筛子，加工面粉，烘出了粗糙的
面包。他捕捉并驯养野山羊，让其繁殖。他还制作陶器等等，保证了自己的生活需要。
虽然这样，鲁滨孙一直没有放弃寻找离开孤岛的办法。他砍倒一棵大树，花了五六个月
的时间做成了一只独木舟，但船实在太重，无法拖下海去，只好前功尽弃，重新另造一
只小的。
鲁滨孙在岛上独自生活了17年后，一天，他发现岛边海岸上都是人骨，生过火，原
来外岛的一群野人曾在这里举行过人肉宴。鲁滨孙惊愕万分。此后他便一直保持警惕，
更加留心周围的事物。直到第24年，岛上又来了一群野人，带着准备杀死、吃掉的俘虏。
鲁滨孙发现后，救出了其中的一个。鲁滨孙把被救的土人取名为“星期五”。此后，
“星期五”成了鲁滨孙忠实的仆人和朋友。接着，鲁滨孙带着“星期五”救出了一个西
班牙人和“星期五”的父亲。不久有条英国船在岛附近停泊，船上水手闹事，把船长等
三人抛弃在岛上，鲁滨孙与“星期五”帮助船长制服了那帮水手，夺回了船只。他把那
帮水手留在岛上，自己带着“星期五”和船长等离开荒岛回到英国。此时鲁滨孙已离家
35年。他在英国结了婚，生了三个孩子。妻子死后，鲁滨孙又一次出海经商，路经他住
过的荒岛，这时留在岛上的水手和西班牙人都已安家繁衍生息。鲁滨孙又送去新的移民，
将岛上的土地分给他们，并留给他们各种日用必需品，满意地离开了小岛。
❺ 剧本摘要怎么写
剧本是一种文学形式，是戏剧艺术创作的文本基础，编导与演员根据剧本进行演出。与剧本类似的词汇还包括脚本、剧作等等。它以代言体方式为主，表现故事情节的文学样式．它是戏剧演出的文学依据，是导演和演员二次创作的出发点．在文学领域里，它是一种独特的文体；在艺术领域里，它又接近文学；在戏剧领域里，它是一切戏剧活动的根本出发点．
剧本主要由剧中人物的对话、独白、旁白和舞台指示组成。对话、独白、旁白都采用代言体，在戏曲、歌剧中则常用唱词来表现。剧本中的舞台指示是以剧作者的口气来写的叙述性的文字说明，包括对剧情发生的时间、地点的交代，对剧中人物的形象特征、形体动作及内心活动的描述,对场景、气氛的说明,以及对布景、灯光、音响效果等方面的要求。
在戏剧发展史上，剧本的出现，大致在戏剧正式形成并成熟之际。古希腊悲剧从原始的酒神祭礼发展为一种完整的表演艺术，就是以一批悲剧剧本的出现为根本标志的；中国的宋元戏文和杂剧剧本，是中国戏剧成熟的最确实的证据；印度和日本古典戏剧的成熟，也是以一批传世的剧本来标明的。但是，也有一些比较成熟的戏剧形态是没有剧本的，例如古代希腊、罗马的某些滑稽剧，意大利的初期即兴喜剧，日本歌舞伎中的一些口头剧目，中国唐代的歌舞小戏和滑稽短剧，以及现代的哑剧等等。
剧本的写作，最重要的是能够被舞台上搬演，戏剧文本不算是艺术的完成，只能说完成了一半，直到舞台演出之后（即“演出文本”）才是最终艺术的呈现。历代文人中，也有人创作过不适合舞台演出，甚至根本不能演出的剧本。这类的戏剧文本则称为案头戏（也叫书斋剧）。比较著名的如王尔德的《莎乐美》等。而好的剧本，能够具备适合阅读，也可能创造杰出舞台表演的双重价值。
剧本的内容,主要由人物对话（或唱词）和舞台提示组成。舞台提示一般指出人物说话的语气、说话时的动作，或人物上下场、指出场景或其它效果变换等。
剧本的结构一般可分为“开端、发展、转折、高潮、再高潮结局”。 当然根据编剧技巧的不同，结构还会变化。如“佳构剧”。
按照应用范围，剧本可分为： 话剧剧本，电影剧本，电视剧剧本等。按剧本题材，又可分为 喜剧、悲剧、历史剧、家庭伦理剧、惊悚剧等等。还有一种剧本主要追求文学性，不以演出为目的，或者不适合演出，动作性不够．被成为”案头剧””书斋剧”。 赞同0| 评论 2011-3-25 06:06 3215王 | 四级
综合性的舞台艺术，剧本是舞台演出的依据和基础。要想把课文中叙事性的诗文改编为课本剧，首先要懂得剧本的特点，然后才能根据其特点编出符合要求的课本剧。
编写课本剧必须突出体现剧本的三方面特点：
1、空间和时间要高度集中
剧本不像小说、散文那样可以不受时间和空间的限制，它要求时间、人物、情节、场景高度集中在舞台范围内。小小的舞台上，几个人的表演就可以代表千军万马，走几圈就可以表现出跨过了万水千山，变换一个场景和人物，就可以说明到了一个全新的地方或相隔多少年之后…… 相隔千万里，跨越若干年，都可通过幕、场变换集中在舞台上展现。
剧本中通常用“幕”和“场”来表示段落和情节。“幕”指情节发展的一个大段落。“一幕”可分为几场，“一场”指一幕中发生空间变换或时间隔开的情节。剧本一般要求篇幅不能太长，人物不能太多，场景也不能过多地转换。初学改编短小的课本剧，最好是写成精短的独幕剧。
2、反映现实生活的矛盾要尖锐突出
各种文学作品都要表现社会的矛盾冲突，而戏剧则要求在有限的空间和时间里反映的矛盾冲突更加尖锐突出。因为戏剧这种文学形式是为了集中反映现实生活中的矛盾冲突而产生的，所以说，没有矛盾冲突就没有戏剧。又因为剧本受篇幅和演出时间的限制，所以对剧情中反映的现实生活必须凝缩在适合舞台演出的矛盾冲突中。
剧本中的矛盾冲突大体分为发生、发展、高潮和结尾四部分。演出时从矛盾发生时就应吸引观众，矛盾冲突发展到最激烈的时候称为高潮，这时的剧情也最吸引观众，最扣人心弦。高潮部分也是编写剧本和舞台演出的“重头戏”，是最“要劲”、最需要下工夫之处。
3、剧本的语言要表现人物性
剧本的语言包括台词和舞台说明两个方面
剧本的语言主要是台词。台词，就是剧中人物所说的话，包括对话、独白、旁白。独白是剧中人物独自抒发个人情感和愿望时说的话；旁白是剧中某个角色背着台上其他剧中人从旁侧对观众说的话。剧本主要是通过台词推动情节发展，表现人物性格。因此，台词语言要求能充分地表现人物的性格、身份和思想感情，要通俗自然、简练明确，要口语化，要适合舞台表演。
舞台说明，又叫舞台提示，是剧本语言不可缺少的一部分，是剧本里的一些说明性文字。舞台说明包括剧中人物表，剧情发生的时间、地点、服装、道具、布景以及人物的表情、动作、上下场等。这些说明对刻画人物性格和推动、展开戏剧情节发展有一定的作用。这部分语言要求写得简练、扼要、明确。这部分内容一般出现在每一幕（场）的开端。结尾和对话中间，一般用括号（方招号或圆括号）括起来。
懂得了剧本以上几个特点和要求，再参考学过的剧本课文，就可以试着学编课本剧了。
二、将剧本改写为故事
剧本与故事的共同点是，都有人物、环境，都不乏生动的描写和细致的刻画。所不同的是，故事不受舞台时间、空间的限制。因此，将剧本改写为故事，可以放开手去写，时间、空间不必那么集中。整个故事可根据剧本中矛盾冲突的发展变化过程，构成故事的开端、发展、高潮。结局的情节结构。在故事中可以加强人物的心理描写、行动描写，使人物性格更为突出，形象更为鲜明，思想感情更为丰富。同时，可将剧本舞台说明中的布景说明改为环境描写，为故事情节发展和人物活动提供更为广阔的天地。
剧本的语言要表现人物性格，剧本的语言包括台词和舞台说明两个方面。剧本的语言主要是台词。台词，就是剧中人物所说的话，包括对话。
总之，不论将叙事诗文改编为剧本，还是将剧本改写为故事，都要注意不同文体的表现形式和特点，努力做到正确理解原作，使改编后的文学形式更充分更准确地表达原作的主题和主要内容。
三、一般格式：
题目：
人物：
时间：
地点：
道具：
背景：
幕名：
正文：
❻ 写出一本电影或电视剧的故事摘要 写短点
lean on me （电影）
曾经声誉斐然的名校变得臭名昭著，暴力犯罪毒品充斥着校园。Joe临危受命，被调来任校长。作风独特的Joe制定了铁腕政策想整治好学校，却遇到学生团伙，学生家长，董事会的重重阻碍。经过一番斗争，Joe终于获得胜利，成功改变学校的形象。最后全校大部分学生挽留差点被赶走的校长Joe。
❼ 怎么写剧本的故事概要
故事概要就是故事梗概亦称电影故事。电影文学剧本创作前的概要描述。电影剧作者在创作电影文学剧本之前，先选用自己掌握的生活素材中最能确切表现人物性格和展示主题的一系列事件，构造成一个有简略剧情内容的故事梗概，作为进一步编写电影文学剧本的依据。它的基本内容包括主要人物、时间地点、情节发展和结局等。电影制片厂在物色剧本的阶段,往往先要剧作者交出一个故事梗概,作为评断和取舍的依据。
写故事梗概分为以下步骤：
第一步：读。通过对剧本的精读,尽可能地和剧本、作者“对话”,了解原文内容,明确作者的写作意图.如果一两遍读不明确就多读几遍,不到胸有成竹绝不“善罢甘休”。
第二步：抽。在理解原文的基础上,抽取出原文各章节的大意.需要强调的是对一些描写具体或是富含情感的关键段落要注意适当保留原句；对一些简短的、不影响文章表达的次要段落则大胆地取舍。
第三步：连。将抽取出来的各章大意有序连接起来。
第四步：理。将连接好的语句梳理通顺：删去重复的文字,做好句子与句子之间的衔接,使它成为通顺的语句。
最主要的就是多读剧本，关上剧本回想故事，知道讲诉的是什么故事，简短的说出这个故事的就可以了。