1. 鱼缸高清电影
链接:https://pan..com/s/195bSKy1hEy9hcM-jCkYXcw
《鱼缸》是由KasanderFilmCompany出品的剧情影片,由安德里亚·阿诺德执导,凯尔丝通·沃尔英、凯蒂·贾维斯、迈克尔·法斯宾德等主演,于2009年9月11日在英国上映。
该片讲述了一个叛逆的贫家女孩米娅在十五岁那年经历了一段刻骨爱情的故事。
如果资源不正确,或者版本不正确,欢迎追问
2. 鱼缸高清完整版下载地址
链接: https://pan..com/s/195bSKy1hEy9hcM-jCkYXcw
《鱼缸》是由Kasander Film Company出品的剧情影片,由安德里亚·阿诺德执导,凯尔丝通·沃尔英、凯蒂·贾维斯、迈克尔·法斯宾德等主演,于2009年9月11日在英国上映。
该片讲述了一个叛逆的贫家女孩米娅在十五岁那年经历了一段刻骨爱情的故事。
3. 《鱼缸 (2009)》在线免费观看百度云资源,求下载
《鱼缸 (2009)》网络网盘高清资源免费在线观看:
链接: https://pan..com/s/1SStqEshS6ZyDPnG72jtibw
4. 电影《鱼缸》哪位高人知道大约105-106分那段销魂舞蹈的销魂背景音乐叫什么名字
专辑英文名: Ride It
歌手: Jay Sean
音乐风格: 流行
发行时间: 2008年1月3日
地区: 英国
语言: 英语
专辑风格: Pop / Dance / R&B
歌词:
It's been about a month and twenty days...
这发生了已经50多天了
And were going round and round playing silly games...
我们还在不断玩着这愚蠢的游戏
Now your saying, slow it down,
你说现在停下来
not right now...
不是刚才
Then you wink at me and walk away..
然后你就无视我离开我
Now, let it be, let it be,
现在 让他去 让它去
let it be known...
让 我们知道
hold on, don't go...
坚持别走
Touching and teasing me,
挑逗我捉弄我
telling me no..
告诉我不.
But this time I need to feel you...
但这次我想要你
[Chorus:]
(Ride it) we are all alone...
做吧 我们都寂寞
(Ride it) just loose control...
做吧 我们都失去控制了
(Ride it, ride it) come touch my soul...
做吧 做吧 来处摸我的灵魂
(Ride it, ride it) let me feel you...
5. 求《鱼缸(2009)》百度网盘在线资源,主演是凯蒂·贾维斯
链接:
6. 鱼缸这个电影讲的是什么
鱼缸是2009年安德里亚·阿诺德执导的电影,整个故事都是围绕着一个名叫米娅(凯蒂·贾维斯饰)的少女展开的,15岁的她因为青春期的无所适从,结果变得情绪波动异常地强烈、性格方面也极其不稳定,并因此给自己招惹上一大堆麻烦,使得她不仅被学校拒之门外,就连她的好朋友们也一个接着一个地与她绝交了。在一个炎热的夏日,米娅的妈妈乔安妮(凯尔丝通·沃尔英饰)将一个名叫康纳(迈克尔·法斯宾德饰)的新男友带回到家中,他向她们承诺可以改变一切不好的现状,让她们的生活中重新充斥着温暖与爱。对15岁的Mia来说,一切都改变了。她可以叛逆,逃课,追随朋友沉溺在玩乐之中,而不需要担心什么。但是这个神秘的男人,承诺会改变她的家庭,最后她发现,他也带来了亲情。
7. 电影《鱼缸》为什么叫鱼缸!
述说女主角的生活好像鱼活在鱼缸里,没办法了解外面的世界,自己的世界就只有那一点点范围,想要了解也有鱼缸阻碍着。
8. 电影鱼缸删减了什么
女主自杀片段。在电影鱼缸中女主阿琪在自杀的时候场面非常的血腥,避免未成年人出现不适合学习,便进行了删减。
9. 急求电影鱼缸 英文影评
你好!这是IMDB网(国外的影评网站)上最热门的《鱼缸》"Fish
tank"的影评--
"All
my
films
have
started
with
an
image,"
says
director
Andrea
Arnold.
"It's
usually
quite
a
strong
image
and
it
seems
to
come
from
nowhere.
I
don't
understand
the
image
at
first
or
what
it
means,
but
I
want
to
know
more
about
it
so
I
start
exploring
it,
try
and
understand
it
and
what
it
means.
This
is
how
I
always
start
writing."
What
does
the
image
of
a
fish
tank
conjure
up
for
you?
On
the
inside
longing
to
look
out,
is
fifteen-year-old
Mia.
Trapped
in
a
housing
estate.
Trapped
in
a
single
parent
family.
Trapped
by
people
around
her
she
can't
respect.
Trapped
in
herself.
For
being
fifteen.
She
has
her
own
inner
world,
fighting
to
manifest
itself
.
Fortified
by
cigarettes
and
alcohol
she
can
kick
in
the
door
of
the
empty
nearby
flat.
A
bare
floor.
Her
CD
player.
Practice
her
moves.
A
better
dancer
than
those
kids
on
the
block
she
just
nutted.
Mia
is
quite
content
to
carve
out
her
own
double
life,
f*ck
you
very
much!
Never
mind
she
gets
caught
and
nearly
comes
to
grief
trying
to
steal
a
horse.
And
social
workers
don't
scare
her.
But
mom's
new
boyfriend
–
that
could
be
a
pain!
A
real
spanner
in
the
works.
Especially
when
he's
so
annoyingly
nice.
Under
Andrea
Arnold's
hand,
life
on
this
inner
city
concrete
backwater
is
suddenly
very
alive.
Banalities
become
beautiful.
Like
sunlight
through
cracked
glass.
Vibrant,
gritty
and
riveting,
but
in
a
way
that
entertains
powerfully.
As
pulsating
and
funny
as
Trainspotting
but
without
the
yuck
factor.
Its
momentum
is
overpowering.
We
never
know
what
is
going
to
come
out
of
Mia's
mouth
or
where
events
will
lead.
Each
jaw-dropping
new
scene
surprises
yet
seems
the
result
of
inexorable
momentum.
As
if
that
wasn't
enough,
the
story
mercifully
avoids
kitchen-sink
drama,
excessive
violence,
drugs,
getting
pregnant,
grand
larceny,
car
crashes
and
all
the
other
cliché-ridden
devices
to
which
cinema-goers
are
usually
subjected.
Tightly
controlled,
Fish
Tank
attacks
with
a
potent
and
thought-provoking
arsenal
of
story-telling.
Andrea
Arnold
proved
she
could
do
hard-hitting
realism
with
her
award-winning
debut,
Red
Road.
Here
she
excels
her
earlier
efforts
but
still
imbibes
many
of
the
verité
approaches
and
senses
of
discipline
that
have
filtered
down
from
the
Dogme
and
Advance
Party
movements.
Her
'strong
initial
image,'
or
lack
of
subservience
to
more
traditional
methodology,
maybe
reminds
of
the
devotion
to
experimental,
avant-garde
cinema
taken
by
artists-turned-filmmakers
such
as
Steve
McQueen
(Hunger)
or
theme-over-story
technicians
such
as
Duane
Hopkins
(Better
Things).
Michael
Fassbender,
who
took
reality
to
new
heights
as
Bobby
Sands
in
Hunger,
here
plays
the
mystifying
and
warmly
charismatic
Connor
(Mum's
boyfriend).
Arnold
didn't
allow
actors
to
read
the
script
beforehand.
They
were
given
their
scenes
only
a
few
days
before
filming.
For
the
part
of
Mia,
she
chooses
a
complete
unknown
with
zero
experience.
Arnold
spotted
Katie
Jarvis
at
a
train
station
after
drawing
a
blank
with
casting
agencies.
"She
was
on
one
platform
arguing
with
her
boyfriend
on
another
platform,
giving
him
grief."
However
the
performance
is
achieved,
Jarvis
is
electrifying.
If
Arnold
wanted
a
'real'
person
for
the
role,
this
seventeen-year-old
takes
over
the
screen
with
raw
adolescent
power.
Says
Arnold,
"I
wanted
a
girl
who
would
not
have
to
act,
could
just
be
herself."
Fish
Tank
will
lift
you
out
of
your
seat
and
on
an
unstoppable
flight,
ricocheting
against
confines
of
circumstance
and
imploding
a
dysfunctional
family
with
its
head
of
hormonal
steam.
Laugh,
cry,
hold
on
tight.
You
will
need
to.
I
could
almost
taste
the
vodka,
as
Mia
goes
through
her
Mum's
dressing
table
drawers,
bottle
in
hand.
I
wish
all
British
films
were
this
good.