❶ 冰河世紀電影摘要怎麼寫
二十世紀福克斯公司(Twentieth Century Fox, USA)2002年出品
中文名稱：冰河世紀
英文名稱：Ice Age
發行時間：2002年
電影導演：克里斯.偉基 Chris Wedge
地區：美國
語言：英語
導演：克里斯.偉基 Chris Wedge
配音：瑞.羅門那 Ray Romano
約翰.里奎匝莫 John Leguizamo
簡.科瑞考斯基 Jane Krakowski
出品：20世紀福克斯影業公司
內容簡介
本片描述在冰河紀這個充滿驚喜與危險的蠻荒時代，因為一名突如其來的人類棄嬰，讓三隻性格迥異的動物不得不湊在一起，尖酸刻薄的長毛象，粗野無禮的巨型樹獺，以及詭計多端的劍虎，這三隻史前動物不但要充當小寶寶的保姆，還要歷經冰河與冰山各種千驚萬險護送他回家。
【冰河世紀】英文片名為Ice Age，在其首支短短數秒的預告畫面中，呈現一隻長相賤到不行的怪松鼠為了在冰原上藏匿一顆松果，竟釀成大雪崩慘劇，在面臨冰柱炮轟及冰陣夾殺等驚險場面下，怪松鼠居然不忘帶著它的松果逃命....
劇情簡介
兩萬年以前，地球上到處都覆蓋著冰川，無論何處的動物都在四處逃竄，躲避著新的冰河世紀的沖擊。 在這一危急時刻，我們遇見了任何時代都不曾見過最怪異的群體：一個說話很快、渾身沒有光澤的樹懶錫德(Sid，約翰-萊奎扎莫配音，John Leguizamo)，一頭喜怒無常的長毛象曼尼(Manny，雷-羅馬諾配音，Ray Romano)，一隻凶暴的劍齒虎迪亞戈(Diego，丹尼斯-利里配音，Denis Leary)和對橡樹果有著特別嗜好的著名犬齒松鼠斯科萊特(Scrat)。 這四隻格格不入的動物出乎意料地，而且是非常不情願地走到了一起，只因為他們希望將一名人類嬰兒交還到他父親的身邊。他們勇敢地面對沸騰的熔岩坑、暗藏的冰穴、嚴寒的天氣，以及一個秘密，甚至是邪惡的陰謀。這些「亞零度」的怪物們成了這個世界上最早的英雄們!
《冰河世紀》是上屆奧斯卡最佳動畫短片《巴尼》的創作團隊推出的一部電腦動畫長片。
❷ 英語作文寫一篇電影的概要,要求帶翻譯100字
夏洛特煩惱
昔日校花秋雅（王智 飾）的婚禮正在隆重舉行，學生時代暗戀秋雅的夏洛（沈騰 飾）看著周圍事業成功的老同學，心中泛起酸味，借著七分醉意大鬧婚禮現場，甚至惹得妻子馬冬梅（馬麗 飾）現場發飆，而他發泄過後卻在馬桶上睡著了。夢里他重回校園，追求到他心愛的女孩、讓失望的母親重展笑顏、甚至成為無所不能的流行樂壇巨星…… 醉生夢死中，他發現身邊人都在利用自己，只有馬冬梅是最值得珍惜的。
Old school beauty autumn ya (Wang Zhi decoration) the wedding is held, the student love autumn Ya Charlotte (Shen Teng ornaments) looking around the career success of old classmates, heart start to be suffused with sour, by seven tipsy havoc in the wedding scene, and even provoked wife Ma Dongmei (Mary). Shebeginstofall spot freak, and he vent after but on the toilet, asleep. Dream him to return to the campus, the pursuit to his beloved girl, let the disappointed mother re show smile, even as omnipotent the pop star... Here, he found the people around are making use of their own, only Ma Dongmei is the most cherished
❸ 用英文寫兩篇外國文學名著或電影的摘要（500詞）左右
The Old Man and the Sea
The Old Man and the Sea recounts an epic battle between an old, experienced fisherman and a giant marlin said to be the largest catch of his life. It opens by explaining that the fisherman, who is named Santiago, has gone 84 days without catching any fish at all (although a comment made at some point in the book reveals that he had previously gone 87 days without catching one). He is apparently so unlucky that his young apprentice, Manolin, has been forbidden by his parents to sail with the old man and been ordered to fish with more successful fishermen. Still dedicated to the old man, however, the boy visits Santiago's shack each night, hauling back his fishing gear, feeding him and discussing American baseball — most notably Santiago's idol, Joe DiMaggio. Santiago tells Manolin that on the next day, he will venture far out into the Gulf to fish, confident that his unlucky streak is near its end.
Sons and Lovers
a woman of character and refinement goes into the lower class, and has no satisfaction in her own life. She has had a passion for her husband, so her children are born of passion, and have heaps of vitality. But as her sons grow up she selects them as lovers — first the eldest, then the second. These sons are urged into life by their reciprocal love of their mother — urged on and on. But when they come to manhood, they can't love, because their mother is the strongest power in their lives, and holds them. It's rather like Goethe and his mother and Frau von Stein and Christiana — As soon as the young men come into contact with women, there's a split. William gives his sex to a fribble, and his mother holds his soul. But the split kills him, because he doesn't know where he is. The next son gets a woman who fights for his soul — fights his mother. The son loves his mother — all the sons hate and are jealous of the father. The battle goes on between the mother and the girl, with the son as object. The mother graally proves stronger, because of the ties of blood. The son decides to leave his soul in his mother's hands, and, like his elder brother go for passion. He gets passion. Then the split begins to tell again. But, almost unconsciously, the mother realises what is the matter, and begins to die. The son casts off his mistress, attends to his mother dying. He is left in the end naked of everything, with the drift towards death
❹ 英語電影摘要
Jane Eyre： Written by C Bronte
Introction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage. She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
However, there is great kindness and warmth in this epic love story, which is set against the magnificent backdrop of the Yorkshire moors.
簡愛從令人討厭的學校畢業,在羅契斯特先生的庄園找了份家教的工作,負責教育羅契斯特先生的女兒,在此過程中兩人擦出愛的火花,但在兩人結婚當天,意外得知羅契斯特先生的前一位夫人並沒有死,而是瘋了並且正關在庄園里,於是簡愛離開庄園,並碰到自己的表哥表妹,正當簡愛猶豫是否與表哥一起離開英國做傳教士的妻子時,羅契斯特的庄園由於瘋妻縱火毀於一旦,他本人也受傷致盲,心靈有所感應的簡愛趕回庄園,兩人從此幸福的生活在一起.
Summary for Finding Nemo
A clown fish named Marlin living in the Great Barrier Reef loses his son, Nemo, after he ventures into the open sea, despite his father's constant warnings about many of the ocean's dangers. Nemo is abcted by a boat and netted up and sent to a dentist's office in Sydney. So, while Marlin ventures off to try to retrieve Nemo, Marlin meets a fish named Dory, a blue tang suffering from short-term memory loss. The companions travel a great distance, encountering various dangerous sea creatures such as sharks, anglerfish and jellyfish, in order to rescue Nemo from the dentist's office, which is situated by Sydney Harbor. While the two are doing this, Nemo and the other sea animals in the dentist's fish tank plot a way to return to Sydney Harbor to live their lives free again. Written by Anonymous
When his son, Nemo is taken from him by a diver, Marlin the clown fish sets off on a journey to rescue him. Together with Dory, a blue tang fish with short term memory loss, they set off through the oceans, whilst joining a club with sharks, dodging jellyfish and hooking a ride with turtles. Whilst this is happening, Nemo and his new tank friends hatch a plan to escape from their new home. Written by FilmFanUk
Marlin (a clown fish) is a widower who only has his son Nemo left of his family after a predator attack. Years later, on Nemo's first day of school, he's captured by a scuba diver and taken to live in a dentist office's fish tank. Marlin and his new absent-minded friend Dory set off across the ocean to find Nemo, while Nemo and his tank mates scheme on how to get out of the tank before he becomes the dentist's niece's new pet. Written by TonyB
A tale which follows the comedic and eventful journeys of two fish, the fretful Marlin and his young son Nemo, who are separated from each other in the Great Barrier Reef when Nemo is unexpectedly taken from his home and thrust into a fish tank in a dentist's office overlooking Sydney Harbor. Buoyed by the companionship of a friendly but forgetful fish named Dory, the overly cautious Marlin embarks on a dangerous trek and finds himself the unlikely hero of an epic journey to rescue his son. Meanwhile, the young Nemo hatches a few daring plans of his own to return home safely. Written by Sujit R. Varma
A father-son underwater adventure about a fish and his son Nemo, a boy clown fish, who is stolen from his home in the Great Barrier Reef, Australia, and taken to a fish tank in a dentist's office in Sydney. His timid father and a blue tang fish named Dory with short-term memory loss must follow the East Australian current in order to get to Sydney and take Nemo home.
Robinson Crusoe, the narrator of the story, tells us that he was born in 1632 in the city of York, England. His father, a German immigrant, married a woman whose name was Robinson, and his real name was Robinson Kreutznaer, but e to the natural corruption of languages, the family now writes their name "Crusoe." He was the third son; his oldest brother was killed in a war, and the next son simply disappeared.
When Robinson Crusoe first had an urge to go to sea, his father lectured him upon the importance of staying home and being content with his "middle station" in life. His father maintained that the "middle station had the fewest disasters and was not exposed to so many vicissitudes as the higher or lower part of mankind." After his father expressly forbade him to go to sea, and, furthermore, promised to do good things for him if he stayed home, for another whole year, Robinson Crusoe stayed at home, but he constantly thought of adventures upon the high sea. He tried to enlist the aid of his mother, pointing out that he was now eighteen years old and if he did not like the sea, he could work diligently and make up for the time he might lose while at sea. She refused to help him, even though she did report his strong feelings to her husband.
When Robinson was nineteen, on the first of September, in 1651, he joined a friend on a ship bound for London, without consulting either his father or mother. Almost immediately, "the wind began to blow, and the sea to rise in a most frightful manner." Robinson Crusoe, who had never been to sea before, saw this as a sign that he was justly "overtaken by the judgement of Heaven" for his wicked leaving of his father's house without letting anyone know. He was so frightened that he made the promise: "If it would please God here to spare my life in this one voyage, if ever I got once my foot upon dry land again, I would go directly home to my father, and never set it into a ship again while I lived." The wind soon abated, and the next morning the sea was so calm and so beautiful that he entirely forgot the vows and promises that he had made in his distress, and joined the other sailors in a drinking bout.
As they neared a place called Yarmouth Roads, the winds ceased to blow and thus they were stilled for eight days, and when the winds did begin to blow, the ship immediately encountered a storm much more violent than the earlier one. Even the most experienced sailors were down on their knees praying. The storm continued with such fury that the seamen acknowledged that they had never known a worse one.
When the boat sprung a leak, Robinson was ordered below to help pump the water. It soon became apparent that they would not be able to save the ship and the captain fired several volleys of distress signals. A lighter ship in the vicinity made it up to their ship and was able to take the crew away from the sinking ship, which foundered soon after they left.
The crew finally got to shore, where Robinson Crusoe met his friend's father, who owned the ship. When the captain heard Robinson Crusoe's story, he felt strongly that it was the "hand of Providence" instructing Robinson Crusoe never to go to sea any more. He told the young man: "You ought to take this for a plain and visible token that you are not to be a seafaring man." He even wondered if he had done something wrong that such a person as Robinson Crusoe should "come onto his ship," and he warned Crusoe again that "you will meet with nothing but disasters and disappointments" if he did not go back to his father's house.
魯濱孫出身於一個體面的商人家庭，渴望航海，一心想去海外見識一番。他瞞著父
親出海，第一次航行就遇到大風浪，船隻沉沒，他好不容易才逃出性命。第二次出海到
非洲經商，賺了一筆錢。第三次又遭不幸，被摩爾人俘獲，當了奴隸。後來他劃了主人
的小船逃跑，途中被一艘葡萄牙貨船救起。船到巴西後，他在那裡買下一個庄園，做了
庄園主。他不甘心於這樣的發財致富，又再次出海，到非洲販賣奴隸。
船在途中遇到風暴觸礁，船上水手、乘客全部遇難，唯有魯濱孫倖存，隻身飄流到
一個杳無人煙的孤島上。他用沉船的桅桿做了木筏，一次又一次地把船上的食物、衣服、
槍支彈葯、工具等運到岸上，並在小山邊搭起帳篷定居下來。接著他用削尖的木樁在帳
篷周圍圍上柵欄，在帳篷後挖洞居住。他用簡單的工具製作桌、椅等傢具，獵野味為食，
飲溪里的水，度過了最初遇到的困難。
他開始在島上種植大麥和稻子，自製木臼、木杵、篩子，加工麵粉，烘出了粗糙的
麵包。他捕捉並馴養野山羊，讓其繁殖。他還製作陶器等等，保證了自己的生活需要。
雖然這樣，魯濱孫一直沒有放棄尋找離開孤島的辦法。他砍倒一棵大樹，花了五六個月
的時間做成了一隻獨木舟，但船實在太重，無法拖下海去，只好前功盡棄，重新另造一
只小的。
魯濱孫在島上獨自生活了17年後，一天，他發現島邊海岸上都是人骨，生過火，原
來外島的一群野人曾在這里舉行過人肉宴。魯濱孫驚愕萬分。此後他便一直保持警惕，
更加留心周圍的事物。直到第24年，島上又來了一群野人，帶著准備殺死、吃掉的俘虜。
魯濱孫發現後，救出了其中的一個。魯濱孫把被救的土人取名為「星期五」。此後，
「星期五」成了魯濱孫忠實的僕人和朋友。接著，魯濱孫帶著「星期五」救出了一個西
班牙人和「星期五」的父親。不久有條英國船在島附近停泊，船上水手鬧事，把船長等
三人拋棄在島上，魯濱孫與「星期五」幫助船長制服了那幫水手，奪回了船隻。他把那
幫水手留在島上，自己帶著「星期五」和船長等離開荒島回到英國。此時魯濱孫已離家
35年。他在英國結了婚，生了三個孩子。妻子死後，魯濱孫又一次出海經商，路經他住
過的荒島，這時留在島上的水手和西班牙人都已安家繁衍生息。魯濱孫又送去新的移民，
將島上的土地分給他們，並留給他們各種日用必需品，滿意地離開了小島。
❺ 劇本摘要怎麼寫
劇本是一種文學形式，是戲劇藝術創作的文本基礎，編導與演員根據劇本進行演出。與劇本類似的詞彙還包括腳本、劇作等等。它以代言體方式為主，表現故事情節的文學樣式．它是戲劇演出的文學依據，是導演和演員二次創作的出發點．在文學領域里，它是一種獨特的文體；在藝術領域里，它又接近文學；在戲劇領域里，它是一切戲劇活動的根本出發點．
劇本主要由劇中人物的對話、獨白、旁白和舞台指示組成。對話、獨白、旁白都採用代言體，在戲曲、歌劇中則常用唱詞來表現。劇本中的舞台指示是以劇作者的口氣來寫的敘述性的文字說明，包括對劇情發生的時間、地點的交代，對劇中人物的形象特徵、形體動作及內心活動的描述,對場景、氣氛的說明,以及對布景、燈光、音響效果等方面的要求。
在戲劇發展史上，劇本的出現，大致在戲劇正式形成並成熟之際。古希臘悲劇從原始的酒神祭禮發展為一種完整的表演藝術，就是以一批悲劇劇本的出現為根本標志的；中國的宋元戲文和雜劇劇本，是中國戲劇成熟的最確實的證據；印度和日本古典戲劇的成熟，也是以一批傳世的劇本來標明的。但是，也有一些比較成熟的戲劇形態是沒有劇本的，例如古代希臘、羅馬的某些滑稽劇，義大利的初期即興喜劇，日本歌舞伎中的一些口頭劇目，中國唐代的歌舞小戲和滑稽短劇，以及現代的啞劇等等。
劇本的寫作，最重要的是能夠被舞台上搬演，戲劇文本不算是藝術的完成，只能說完成了一半，直到舞台演出之後（即「演出文本」）才是最終藝術的呈現。歷代文人中，也有人創作過不適合舞台演出，甚至根本不能演出的劇本。這類的戲劇文本則稱為案頭戲（也叫書齋劇）。比較著名的如王爾德的《莎樂美》等。而好的劇本，能夠具備適合閱讀，也可能創造傑出舞台表演的雙重價值。
劇本的內容,主要由人物對話（或唱詞）和舞台提示組成。舞台提示一般指出人物說話的語氣、說話時的動作，或人物上下場、指出場景或其它效果變換等。
劇本的結構一般可分為「開端、發展、轉折、高潮、再高潮結局」。 當然根據編劇技巧的不同，結構還會變化。如「佳構劇」。
按照應用范圍，劇本可分為： 話劇劇本，電影劇本，電視劇劇本等。按劇本題材，又可分為 喜劇、悲劇、歷史劇、家庭倫理劇、驚悚劇等等。還有一種劇本主要追求文學性，不以演出為目的，或者不適合演出，動作性不夠．被成為」案頭劇」」書齋劇」。 贊同0| 評論 2011-3-25 06:06 3215王 | 四級
綜合性的舞台藝術，劇本是舞台演出的依據和基礎。要想把課文中敘事性的詩文改編為課本劇，首先要懂得劇本的特點，然後才能根據其特點編出符合要求的課本劇。
編寫課本劇必須突出體現劇本的三方面特點：
1、空間和時間要高度集中
劇本不像小說、散文那樣可以不受時間和空間的限制，它要求時間、人物、情節、場景高度集中在舞台范圍內。小小的舞台上，幾個人的表演就可以代表千軍萬馬，走幾圈就可以表現出跨過了萬水千山，變換一個場景和人物，就可以說明到了一個全新的地方或相隔多少年之後…… 相隔千萬里，跨越若干年，都可通過幕、場變換集中在舞台上展現。
劇本中通常用「幕」和「場」來表示段落和情節。「幕」指情節發展的一個大段落。「一幕」可分為幾場，「一場」指一幕中發生空間變換或時間隔開的情節。劇本一般要求篇幅不能太長，人物不能太多，場景也不能過多地轉換。初學改編短小的課本劇，最好是寫成精短的獨幕劇。
2、反映現實生活的矛盾要尖銳突出
各種文學作品都要表現社會的矛盾沖突，而戲劇則要求在有限的空間和時間里反映的矛盾沖突更加尖銳突出。因為戲劇這種文學形式是為了集中反映現實生活中的矛盾沖突而產生的，所以說，沒有矛盾沖突就沒有戲劇。又因為劇本受篇幅和演出時間的限制，所以對劇情中反映的現實生活必須凝縮在適合舞台演出的矛盾沖突中。
劇本中的矛盾沖突大體分為發生、發展、高潮和結尾四部分。演出時從矛盾發生時就應吸引觀眾，矛盾沖突發展到最激烈的時候稱為高潮，這時的劇情也最吸引觀眾，最扣人心弦。高潮部分也是編寫劇本和舞台演出的「重頭戲」，是最「要勁」、最需要下工夫之處。
3、劇本的語言要表現人物性
劇本的語言包括台詞和舞台說明兩個方面
劇本的語言主要是台詞。台詞，就是劇中人物所說的話，包括對話、獨白、旁白。獨白是劇中人物獨自抒發個人情感和願望時說的話；旁白是劇中某個角色背著台上其他劇中人從旁側對觀眾說的話。劇本主要是通過台詞推動情節發展，表現人物性格。因此，台詞語言要求能充分地表現人物的性格、身份和思想感情，要通俗自然、簡練明確，要口語化，要適合舞台表演。
舞台說明，又叫舞台提示，是劇本語言不可缺少的一部分，是劇本里的一些說明性文字。舞台說明包括劇中人物表，劇情發生的時間、地點、服裝、道具、布景以及人物的表情、動作、上下場等。這些說明對刻畫人物性格和推動、展開戲劇情節發展有一定的作用。這部分語言要求寫得簡練、扼要、明確。這部分內容一般出現在每一幕（場）的開端。結尾和對話中間，一般用括弧（方招號或圓括弧）括起來。
懂得了劇本以上幾個特點和要求，再參考學過的劇本課文，就可以試著學編課本劇了。
二、將劇本改寫為故事
劇本與故事的共同點是，都有人物、環境，都不乏生動的描寫和細致的刻畫。所不同的是，故事不受舞台時間、空間的限制。因此，將劇本改寫為故事，可以放開手去寫，時間、空間不必那麼集中。整個故事可根據劇本中矛盾沖突的發展變化過程，構成故事的開端、發展、高潮。結局的情節結構。在故事中可以加強人物的心理描寫、行動描寫，使人物性格更為突出，形象更為鮮明，思想感情更為豐富。同時，可將劇本舞台說明中的布景說明改為環境描寫，為故事情節發展和人物活動提供更為廣闊的天地。
劇本的語言要表現人物性格，劇本的語言包括台詞和舞台說明兩個方面。劇本的語言主要是台詞。台詞，就是劇中人物所說的話，包括對話。
總之，不論將敘事詩文改編為劇本，還是將劇本改寫為故事，都要注意不同文體的表現形式和特點，努力做到正確理解原作，使改編後的文學形式更充分更准確地表達原作的主題和主要內容。
三、一般格式：
題目：
人物：
時間：
地點：
道具：
背景：
幕名：
正文：
❻ 寫出一本電影或電視劇的故事摘要 寫短點
lean on me （電影）
曾經聲譽斐然的名校變得臭名昭著，暴力犯罪毒品充斥著校園。Joe臨危受命，被調來任校長。作風獨特的Joe制定了鐵腕政策想整治好學校，卻遇到學生團伙，學生家長，董事會的重重阻礙。經過一番斗爭，Joe終於獲得勝利，成功改變學校的形象。最後全校大部分學生挽留差點被趕走的校長Joe。
❼ 怎麼寫劇本的故事概要
故事概要就是故事梗概亦稱電影故事。電影文學劇本創作前的概要描述。電影劇作者在創作電影文學劇本之前，先選用自己掌握的生活素材中最能確切表現人物性格和展示主題的一系列事件，構造成一個有簡略劇情內容的故事梗概，作為進一步編寫電影文學劇本的依據。它的基本內容包括主要人物、時間地點、情節發展和結局等。電影製片廠在物色劇本的階段,往往先要劇作者交出一個故事梗概,作為評斷和取捨的依據。
寫故事梗概分為以下步驟：
第一步：讀。通過對劇本的精讀,盡可能地和劇本、作者「對話」,了解原文內容,明確作者的寫作意圖.如果一兩遍讀不明確就多讀幾遍,不到胸有成竹絕不「善罷甘休」。
第二步：抽。在理解原文的基礎上,抽取出原文各章節的大意.需要強調的是對一些描寫具體或是富含情感的關鍵段落要注意適當保留原句；對一些簡短的、不影響文章表達的次要段落則大膽地取捨。
第三步：連。將抽取出來的各章大意有序連接起來。
第四步：理。將連接好的語句梳理通順：刪去重復的文字,做好句子與句子之間的銜接,使它成為通順的語句。
最主要的就是多讀劇本，關上劇本回想故事，知道講訴的是什麼故事，簡短的說出這個故事的就可以了。