1. 魚缸高清電影
鏈接:https://pan..com/s/195bSKy1hEy9hcM-jCkYXcw
《魚缸》是由KasanderFilmCompany出品的劇情影片,由安德里亞·阿諾德執導,凱爾絲通·沃爾英、凱蒂·賈維斯、邁克爾·法斯賓德等主演,於2009年9月11日在英國上映。
該片講述了一個叛逆的貧家女孩米婭在十五歲那年經歷了一段刻骨愛情的故事。
如果資源不正確,或者版本不正確,歡迎追問
2. 魚缸高清完整版下載地址
鏈接: https://pan..com/s/195bSKy1hEy9hcM-jCkYXcw
《魚缸》是由Kasander Film Company出品的劇情影片,由安德里亞·阿諾德執導,凱爾絲通·沃爾英、凱蒂·賈維斯、邁克爾·法斯賓德等主演,於2009年9月11日在英國上映。
該片講述了一個叛逆的貧家女孩米婭在十五歲那年經歷了一段刻骨愛情的故事。
3. 《魚缸 (2009)》在線免費觀看百度雲資源,求下載
《魚缸 (2009)》網路網盤高清資源免費在線觀看:
鏈接: https://pan..com/s/1SStqEshS6ZyDPnG72jtibw
4. 電影《魚缸》哪位高人知道大約105-106分那段銷魂舞蹈的銷魂背景音樂叫什麼名字
專輯英文名: Ride It
歌手: Jay Sean
音樂風格: 流行
發行時間: 2008年1月3日
地區: 英國
語言: 英語
專輯風格: Pop / Dance / R&B
歌詞:
It's been about a month and twenty days...
這發生了已經50多天了
And were going round and round playing silly games...
我們還在不斷玩著這愚蠢的游戲
Now your saying, slow it down,
你說現在停下來
not right now...
不是剛才
Then you wink at me and walk away..
然後你就無視我離開我
Now, let it be, let it be,
現在 讓他去 讓它去
let it be known...
讓 我們知道
hold on, don't go...
堅持別走
Touching and teasing me,
挑逗我捉弄我
telling me no..
告訴我不.
But this time I need to feel you...
但這次我想要你
[Chorus:]
(Ride it) we are all alone...
做吧 我們都寂寞
(Ride it) just loose control...
做吧 我們都失去控制了
(Ride it, ride it) come touch my soul...
做吧 做吧 來處摸我的靈魂
(Ride it, ride it) let me feel you...
5. 求《魚缸(2009)》百度網盤在線資源,主演是凱蒂·賈維斯
鏈接:
6. 魚缸這個電影講的是什麼
魚缸是2009年安德里亞·阿諾德執導的電影,整個故事都是圍繞著一個名叫米婭(凱蒂·賈維斯飾)的少女展開的,15歲的她因為青春期的無所適從,結果變得情緒波動異常地強烈、性格方面也極其不穩定,並因此給自己招惹上一大堆麻煩,使得她不僅被學校拒之門外,就連她的好朋友們也一個接著一個地與她絕交了。在一個炎熱的夏日,米婭的媽媽喬安妮(凱爾絲通·沃爾英飾)將一個名叫康納(邁克爾·法斯賓德飾)的新男友帶回到家中,他向她們承諾可以改變一切不好的現狀,讓她們的生活中重新充斥著溫暖與愛。對15歲的Mia來說,一切都改變了。她可以叛逆,逃課,追隨朋友沉溺在玩樂之中,而不需要擔心什麼。但是這個神秘的男人,承諾會改變她的家庭,最後她發現,他也帶來了親情。
7. 電影《魚缸》為什麼叫魚缸!
述說女主角的生活好像魚活在魚缸里,沒辦法了解外面的世界,自己的世界就只有那一點點范圍,想要了解也有魚缸阻礙著。
8. 電影魚缸刪減了什麼
女主自殺片段。在電影魚缸中女主阿琪在自殺的時候場面非常的血腥,避免未成年人出現不適合學習,便進行了刪減。
9. 急求電影魚缸 英文影評
你好!這是IMDB網(國外的影評網站)上最熱門的《魚缸》"Fish
tank"的影評--
"All
my
films
have
started
with
an
image,"
says
director
Andrea
Arnold.
"It's
usually
quite
a
strong
image
and
it
seems
to
come
from
nowhere.
I
don't
understand
the
image
at
first
or
what
it
means,
but
I
want
to
know
more
about
it
so
I
start
exploring
it,
try
and
understand
it
and
what
it
means.
This
is
how
I
always
start
writing."
What
does
the
image
of
a
fish
tank
conjure
up
for
you?
On
the
inside
longing
to
look
out,
is
fifteen-year-old
Mia.
Trapped
in
a
housing
estate.
Trapped
in
a
single
parent
family.
Trapped
by
people
around
her
she
can't
respect.
Trapped
in
herself.
For
being
fifteen.
She
has
her
own
inner
world,
fighting
to
manifest
itself
.
Fortified
by
cigarettes
and
alcohol
she
can
kick
in
the
door
of
the
empty
nearby
flat.
A
bare
floor.
Her
CD
player.
Practice
her
moves.
A
better
dancer
than
those
kids
on
the
block
she
just
nutted.
Mia
is
quite
content
to
carve
out
her
own
double
life,
f*ck
you
very
much!
Never
mind
she
gets
caught
and
nearly
comes
to
grief
trying
to
steal
a
horse.
And
social
workers
don't
scare
her.
But
mom's
new
boyfriend
–
that
could
be
a
pain!
A
real
spanner
in
the
works.
Especially
when
he's
so
annoyingly
nice.
Under
Andrea
Arnold's
hand,
life
on
this
inner
city
concrete
backwater
is
suddenly
very
alive.
Banalities
become
beautiful.
Like
sunlight
through
cracked
glass.
Vibrant,
gritty
and
riveting,
but
in
a
way
that
entertains
powerfully.
As
pulsating
and
funny
as
Trainspotting
but
without
the
yuck
factor.
Its
momentum
is
overpowering.
We
never
know
what
is
going
to
come
out
of
Mia's
mouth
or
where
events
will
lead.
Each
jaw-dropping
new
scene
surprises
yet
seems
the
result
of
inexorable
momentum.
As
if
that
wasn't
enough,
the
story
mercifully
avoids
kitchen-sink
drama,
excessive
violence,
drugs,
getting
pregnant,
grand
larceny,
car
crashes
and
all
the
other
cliché-ridden
devices
to
which
cinema-goers
are
usually
subjected.
Tightly
controlled,
Fish
Tank
attacks
with
a
potent
and
thought-provoking
arsenal
of
story-telling.
Andrea
Arnold
proved
she
could
do
hard-hitting
realism
with
her
award-winning
debut,
Red
Road.
Here
she
excels
her
earlier
efforts
but
still
imbibes
many
of
the
verité
approaches
and
senses
of
discipline
that
have
filtered
down
from
the
Dogme
and
Advance
Party
movements.
Her
'strong
initial
image,'
or
lack
of
subservience
to
more
traditional
methodology,
maybe
reminds
of
the
devotion
to
experimental,
avant-garde
cinema
taken
by
artists-turned-filmmakers
such
as
Steve
McQueen
(Hunger)
or
theme-over-story
technicians
such
as
Duane
Hopkins
(Better
Things).
Michael
Fassbender,
who
took
reality
to
new
heights
as
Bobby
Sands
in
Hunger,
here
plays
the
mystifying
and
warmly
charismatic
Connor
(Mum's
boyfriend).
Arnold
didn't
allow
actors
to
read
the
script
beforehand.
They
were
given
their
scenes
only
a
few
days
before
filming.
For
the
part
of
Mia,
she
chooses
a
complete
unknown
with
zero
experience.
Arnold
spotted
Katie
Jarvis
at
a
train
station
after
drawing
a
blank
with
casting
agencies.
"She
was
on
one
platform
arguing
with
her
boyfriend
on
another
platform,
giving
him
grief."
However
the
performance
is
achieved,
Jarvis
is
electrifying.
If
Arnold
wanted
a
'real'
person
for
the
role,
this
seventeen-year-old
takes
over
the
screen
with
raw
adolescent
power.
Says
Arnold,
"I
wanted
a
girl
who
would
not
have
to
act,
could
just
be
herself."
Fish
Tank
will
lift
you
out
of
your
seat
and
on
an
unstoppable
flight,
ricocheting
against
confines
of
circumstance
and
imploding
a
dysfunctional
family
with
its
head
of
hormonal
steam.
Laugh,
cry,
hold
on
tight.
You
will
need
to.
I
could
almost
taste
the
vodka,
as
Mia
goes
through
her
Mum's
dressing
table
drawers,
bottle
in
hand.
I
wish
all
British
films
were
this
good.